I remember what I was trying to say. Smoking a lot of dope and reading a lot of Henry James. It's nearly the same thing. View all 15 comments. Mar 17, Ronald Wendling rated it really liked it. Henry James and the Scandal Sheet: A Review of The Reverberator , revised Readers of James have not shown as much interest in this short novel as in many of his other works of fiction.
Mistakenly regarded as a comparatively lightweight performance, The Reverberator nevertheless deals forcefully with two characteristically Jamesian ideas: 1 the responsibility of writers to do more than merely please their readers and 2 the improbability of ever marrying the culture of the new world t Henry James and the Scandal Sheet: A Review of The Reverberator , revised Readers of James have not shown as much interest in this short novel as in many of his other works of fiction. Mistakenly regarded as a comparatively lightweight performance, The Reverberator nevertheless deals forcefully with two characteristically Jamesian ideas: 1 the responsibility of writers to do more than merely please their readers and 2 the improbability of ever marrying the culture of the new world to that of the old.
The paper endlessly reechoes superficially fascinating tidbits like where Mr.
So-and-So are headed after Paris Biarittz perhaps? You might call Francie a ditz if her innocence did not save her from doing any intentional harm. Gustave is the only character in the story with the aesthetic sensitivity James associated with Europe and valued highly. It is surprising that this novel is not more popular in a time like ours when how people consume information is such an issue. The less affected Dossons, Francie included, find it hard to see what all the fuss is about and respond defensively.
But the crucial question is whether the dispute dividing the two families will obliterate the plan of the Europeanized Gustave, as a Roman Catholic not easily shocked by corruption, to marry Francie, the new world innocent. Here we have a Jamesian Franco-American plot conflict that revisits a similar one in his earlier novel, The American Do the clashing perspectives of these feuding families determine the outcome, or can the couple muster the bipartisan humanity to overcome it?
But trying to bridge seemingly unbridgeable differences is a problem that should sound familiar to us. The Reverberator , which was originally published in Macmillan's Magazine in , is about Americans abroad and the increasing intrusiveness of a certain kind of gossipy newspaper. It's also, mostly, about people: how they act, what they say, what motivates them.
It's set in Paris, but aside from a trip to Saint-Germain and a ride through the Bois de Boulogne, we hardly see the city or its environs: it's a very interior book, set mostly in the hotel where Francie Dosson, her sister Delia, and th The Reverberator , which was originally published in Macmillan's Magazine in , is about Americans abroad and the increasing intrusiveness of a certain kind of gossipy newspaper. It's set in Paris, but aside from a trip to Saint-Germain and a ride through the Bois de Boulogne, we hardly see the city or its environs: it's a very interior book, set mostly in the hotel where Francie Dosson, her sister Delia, and their father have rooms, or in the studio where Francie has her portrait painted, or in the family home of Gaston Probert, Francie's husband-to-be.
In addition to the Dossons and to Probert and his family, the key figure in the book is George Flack, who is a reporter for the Reverberator and also a suitor of Francie. Dosson is very rich, and Flack wants Francie's money; Probert, a sort of hack of a painter with money of his own from his family, wants her beauty. But what does Francie want? Well, it's not entirely clear, maybe even to her.
Her sister, Delia, is the forceful one; Francie is described as having "an unformed voice and very little knowledge" So, right: the Dossons are in Paris. They met Flack a year earlier, on the boat over, and he's showing them a good time in the city, taking them to nice restaurants ordering meals that Mr. Dosson happily pays for , and being smitten with Francie. Flack takes Francie to the studio of a painter, Charles Waterlow, who will paint her portrait; Probert is there hanging out with Waterlow and is enchanted by Francie's beauty.
Francie and Probert get engaged, but he's worried about needing to win over his family: they're American but his sisters are all married to French aristocrats, and the Dossons are common by comparison, and he won't marry without his family's approval. Francie is worried about Probert's family too, convinced she'll do something to alienate them.
And so it's no surprise when she does: she talks to Flack about them, he publishes a piece in the paper, and the Proberts flip out at the scandalous things it says about them e. But why, exactly, does Francie do it: is she clueless? Is she, as she says, just repaying Flack for his kindnesses to her family? Is she trying to sabotage her chances of marriage to Probert?
Is she trying to force him to choose between his family and her? I can see the reasons this is an interesting book, and it has some excellent funny moments. I like this description of how dependent the Dossons become on Flack: "He made them feel indeed that they didn't know anything about anything, even about such a matter as ordering shoes—an art in which they vaguely supposed themselves rather strong" Or Mr. Probert the elder on Francie: "She says 'Parus,' my dear boy" Oh, snap.
But it wasn't totally my style: I wanted more description, more Paris Parus? There were other odours in the place, warm, succulent and Parisian, which ranged from fried fish to burnt sugar; and there were many things besides: little tables for the post-prandial coffee; piles of luggage inscribed after the initials, or frequently the name, R.
Scudamore or D. Jackson Hatch , Philadelphia, Pa. Louis, Mo.
Jul 06, Jim Leckband rated it really liked it. The usual suspects are gathered by Hank: innocent American girl, rich American father, old European society family, and modern villain upsetting everybody. The villain Flack! His rag, "The Reverberator" sells salacious stories of society figures in the old countries for the readership of the American democratic populace - in an attempt to cash in on the presumed prejudice of the "egalitarian" Americans for the corrupt Europeans.
The innocent Francie is courted by Flack in Paris and monopolizes Francie's family by showing the parts of Paris they wouldn't have known without him. Then he makes the mistake of taking Francie to a painter where she meets Gaston Probert - the heir of a French family so old that even the oldest society contacts of Flack can't place them.
The love triangle inevitably happens and everyone proves their internal worth by behaving badly, innocently or honorably. James is on task a lot more in this one than he was in The Princess Casamassima , which was a slog for me. His prose tics are dampened he doesn't feel the need to use three or more modifiers when one good one would do and there is actually some pace to the novel!
Albeit the characters aren't as deep in this one, but I think its a fair trade.
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And he didn't start the book with a three page paragraph!!! A lot of nothing going on, to be sure. In fact, the story was unrelentingly snail-like in it's progression; it doesn't really take flight until chapter 9 of the 14 chapter which comprise the book. However, when it does finally take flight, it soars till the end.
Unfortunately, there just aren't any real people in this "She seemed to be doing nothing as hard as she could. Buitenhuis , O. Cargill , repr. Brooks , and M. Gorra See also studies of the James family by F. Matthiessen , R. Lewis , and P. Fisher Henry James, —82, American student of religion and social problems, b. Albany, N. He rebelled against the strict Calvinist theology of his family and of Princeton Theological Seminary, to which he was sent, and sought a personal solution.
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Swedenborg 's teachings opened for him a way and provided the framework for his own thought as expressed in Substance and Shadow; or, Morality and Religion in Their Relation to Life , Society the Redeemed Form of Man, and the Earnest of God's Omnipotence in Human Nature , and other books. He later developed a social philosophy based upon the principles of Charles Fourier. See F. Warren and A.
Habegger James settled in England and became a British subject in His early masterpiece The Portrait of a Lady contrasts the values of American and European society. The novels of his middle period, such as The Bostonians , deal with political themes. Other works include The Turn of the Screw Nationality: British. Career: Lived with his family in Cambridge and wrote for Nation and Atlantic Monthly, ; toured Europe, ; returned to Cambridge, ; art critic, Atlantic Monthly, ; lived in Europe, ; lived in Cambridge, ; lived in Paris, ; writer for New York Tribune, Paris, ; moved to London, , and lived in England for the rest of his life; settled in Rye, Sussex, ; traveled throughout the United States , Awards: L.
Order of Merit, Died: 28 February Novels and Library of America , edited by William T. The Other House. The Art of Fiction, with Walter Besant. James and H. Translator, Port Tarascon, by Alphonse Daudet. Funston, Leavis, ; James biography by Leon Edel, 5 vols. Gale; Technique in the Tales of James by K.
Fogel, ; James and Impressionism by James J. Blackmur, edited by Veronica A. Gargano, 2 vols. Henry James used his notebooks to converse with himself; in them James the diarist upbraids, cajoles, praises, and encourages James the author. In a 19 May entry he expresses "the desire that the literary heritage, such as it is, poor thing, that I may leave, shall consist of a large number of perfect short things, nouvelles and tales, illustrative of ever so many things in life—in the life I see and know and feel….
Though James would in fact see another 32 books of his published during his lifetime, one readily sympathizes with this emphatic desire which, incidentally, he expressed repeatedly throughout his career to restrict himself to fictions that are " short " and "perfect. In a later entry James advised himself to "try to make use, for the brief treatment, of nothing, absolutely nothing, that isn't ONE, as it were—that doesn't begin and end in its little self" 8 September A master theorist as well as a consummate artist, James wrote voluminously if unsystematically about all aspects of writing, often using different terms to describe the same idea; suffice it to say that in the course of a lifetime he produced shorter works, variously labeled by him as "anecdote," "tale," and " short story " all of which are comparatively brief in length , as well as "nouvelle" a longer work such as Daisy Miller.
With a few exceptions each of these has the virtue of being "perfect": as opposed to his ambiguous, open-ended, often deeply troubling novels, James's stories tend to be linear representations of complex if foreshortened actions that terminate decisively. For his themes James had only to look into his own celibate, cosmopolitan, highly mannered existence "the life I see and know and feel" and see there the nexus of all that was splendid and deadly.
Art, love, money, freedom: each of these enhances and destroys in James's world.
One always pays a price for whatever is worth having, and answered prayers often result in unhappiness for James's hapless protagonists. Though he often complained of his solitary state, James saw himself as a kind of high priest of art, one who rejected the conventions of career, spouse, lover, and children in order to be able to pursue a craft that required absolute solitude. Thus, much of his work examines the connection between personal relations or their lack and the artistic or at least the aesthetic life, with the implication that the choices one makes will always be difficult and, if worthwhile in one way, costly in another.
A notable instance of this conflict between art and love is seen in "The Lesson of the Master," in which the young novelist Paul Overt is advised by his older colleague Henry St. George not to marry, as St. George himself has done. Overt takes this advice, even though he has fallen in love with Marian Fancourt, whom he renounces. Later Overt learns that Mrs. George has died and that the older novelist will marry Marian. The angry younger man accuses the older of betraying him, but St.
George who has, in fact, given up writing tells Overt that he has done him a favor. Not all of James's tormented protagonists are artists like Paul Overt, though all but a few are artistic types: sensitive, well-read men and women whose lives are governed as much by aesthetic choices as by economic, social, or moral ones. Pemberton, for example, the hero of "The Pupil," is an impoverished Oxford student who is compelled to work as tutor for the penurious Moreens, to whose eleven-year-old son, the sickly Morgan, he finds himself increasingly devoted. So great is Pemberton's affection, as a matter of fact, that he continues to tutor his charge even when the parents can no longer pay.
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The story ends with an instance of that sophisticated horror of which James alone is capable: the worldly, amoral parents actually try to give Pemberton their son, and Morgan Moreen dies of the shock. Even though tutor and pupil both know that Pemberton would be a better parent than either of the Moreens, the trauma of parental rejection proves fatal. James makes difficult choices central to his art because, as his letters and notebooks make clear, they were central to his life. Too, James, the consummate artist, frequently wrote about the art that was the chief concern of his solitary existence.
One story in particular, "The Figure in the Carpet," has attracted ample attention from critics who use its central metaphor as the basis for their own explorations of James's work.
Here novelist Hugh Vereker says there is a clear pattern to his work, a discernible "figure in the carpet" he alone knows. The story's critic-narrator confesses that he cannot see the pattern, even though his fellow critic George Corvick can. Corvick marries Gwendolyn Erme but dies on their honeymoon, and she then marries the second-rate critic Drayton Deane. After her death the narrator asks Deane if his wife had confided in him the "figure" that Corvick must have described to her, but the thickheaded Deane knows nothing of it.
Stories like "The Figure in the Carpet" suggest that the objective truth may be discernible but is likely to be beyond one's grasp, a clearly written message buried so deeply that it can never be retrieved. This does not exonerate the Jamesian protagonist, though, who is always earnest, often to a fault. For all the refinement of James's fictional world, there is a bona fide work ethic in his major characters that makes each a strenuous seeker for something that he or she may never find. In life as in art, a handful of authors have matched James's production of "perfect short things" in quantity, but few have so devotedly infused craft with feeling that, though aesthetic and intellectual rather than personal and physical, is no less profound.
Print this article Print all entries for this topic Cite this article. Henry James The American author Henry James was one of the major novelists of the late 19th and early 20th centuries. His Expatriation. Learn more about citation styles Citation styles Encyclopedia.
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The Columbia Encyclopedia, 6th ed. Copyright The Columbia University Press. Complete Plays, edited by Leon Edel. Complete Tales, edited by Leon Edel. Representative Selections, revised edition, edited by Lyon N. Tales, edited by Maqbool Aziz. Tales, edited by Christof Wegelin. Novels Library of America , edited by Daniel M. Selected Writings. Daisy Miller: A Study. Henry was born on the 15th of April in in New York. His dad was a prominent publicist, teacher and public figure. He provided his children with a good education.
Thus, as a teenager, he got used to the European culture. He dived deeply into the world of European bohemians, which he depicted later on the pages of his books. Having come back to his home country, James family set in Boston, later on in Cambridge — in the heart of New England.
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In the writer injured his spine. This prevented him from taking part in the Guerrilla Warfare in In Henry was a law student in Harvard University but left it and devoted his life to journalism and literature. In he went on his first journey across Europe. He started from London, then he reached the continent. From that very moment, the contrast between New and Old World became the main topic of his works. In his early works, Henry portrayed an American routine. In he moved to Paris.